Examine Hamlet’s famous “To be or not to be” soliloquy (III.i.56-89). Traditional views of the play would have you believe he thinks he's alone and is being introspective; others, that he knows he's being watched, and is thus directing his soliloquy at Claudius. There's evidence to be found for either side but, ultimately, it's up to the reader to decide. If Hamlet thinks he's alone on stage then soliloquy means one thing; if he knows he’s being watched, it means something else entirely, because now he's performing for an audience.

So, based on what you know so far in the play, and feel that you can solidly support from the text of the soliloquy itself and from lines taken from the greater context of the play:

a) Prove that Hamlet either thinks he's alone, or knows he's being watched.

b) Discuss how the meaning and mood of the soliloquy fits/supports your answer to a) above.

c) In addition, you must make a detailed comment on at least one classmate’s posting, agreeing, disagreeing, or taking the discussion in a different direction. Making references to life, movies, other things you’ve read, etc. are fair game, as long as they’re relevant. NB: Build your comment right into the bottom of your blog posting, rather than using the comment feature in Blogger. (It makes it easier for marking...)

Your blog posting needs to be at least 500 words in length (that’s the equivalent of two pages, typed/double spaced).

Take no prisoners.

Wednesday 26 March 2014

Hamlet is the Greatest Actor Of All Time

We have seen Hamlet act in many throughout the play because of his emotions and his trickster mentality. I believe that Hamlet is acting when he says his soliloquy because he knows that he is not alone. Hamlet enjoys using his knowledge to trick others and manipulate others emotions. He knows that Claudius is watching because he speaks about the death of Hamlet Senior, talks about the benefit to suicide, and he talks to others like he is uncomfortable with in different ways.  

Claudius killed Hamlet senior by pouring poison in his ear while he was sleeping. I believe that Hamlet refers to the death in the soliloquy because lines 61 to 67 just talk about sleep and death. At the beginning Hamlet says, “To die, to sleep, / No more-and by a sleep to say we end / The heartache and the thousand natural shocks / That flesh is heir to—’tis a consummation Devoutly to be wished!”(III.i.61-65). I believe that he is referring to the murder because he knows that Claudius is watching him. Hamlet talks as if sleep is a way to escape the pains on the normal world unless you have bad dreams. I think there is more to it then what he says and that Hamlet senior died while not currently in this world as Hamlet says. Hamlet is foreshadowing that he knows that Claudius killed Hamlet Senior before the mousetrap play. This is also Hamlet making sure that Claudius is thinking about the death during the play because we see that he is so nervous in the beginning of scene two.

Hamlet is also referring to Claudius about committing suicide. He is trying to persuade him to escape from the pains of the world by entering a never ending sleep. This way Hamlet will get what he wants because Claudius will be sent to hell. Suicide is the unforgettable sin which will have Hamlet fully avenge his father. Hamlet speaks about the ease of committing suicide when he says, “When he himself might his quietus make / With a bare bodkin?”(75-76). I believe that this is an act that Hamlet is putting on to make him look crazy and sporadic. This reflects to the mood of the soliloquy because the way Hamlet delivers the line is calm and sounds rhythmic.

Hamlet seems to only get mad when he is around Gertrude, Claudius, Polonius, and R&G. When he is around his friends like Horatio he acts rationally. When he is alone at the end of act 2 scene 2 Hamlet talks about how he cannot act upon his thoughts because he doesn’t have the strength to. Hamlet says, “Swounds, I should take it: for it cannot be / But I am pigeon liver’d and lack gall” (II.ii.572-573). While he is alone he knows that he cannot act but when putting on an act in front of Claudius, he becomes a calm and confident person in what message he is trying to get across. In this scenario he is trying to show that he is contemplating suicide but calm at the same time. This shows how the calm mood of the life or death speech is important to delivering the right message to Claudius and Polonius. We have seen this before where Hamlet is faking to be man of action when talking to the people he is uncomfortable with.

In act two scene two, Hamlet is speaking with Guildenstern and calls him out. Hamlet says, “There is a kind of confession in your looks, which your / modesties have not craft enough colour” (II.ii.279-280). The fact that Hamlet can see through Guildenstern’s act is important in act three scene one. Polonius has Ophelia read a book to disguise any suspicion that Hamlet might have but as we can see, Hamlet can look through disguises. He would be suspicious at this point because he is summoned by the queen but is there alone and then finds Ophelia.

Hamlet also never says I, me or you whereas in any other soliloquy that he has he refers to himself or others. In the to be or not to be soliloquy, he is never referring to anyone in particular and talks in general terms. I believe that Hamlet is in fact aware that he is being watched and that his words are a part of his act.   

@Cameron Rotz: I agree that Hamlet is completely aware of the situation. That fact that Hamlet asks Ophelia where her father is creates irony and be a rhetorical question because he knows where Polonius is. Hamlet is similar to the movie The Godfather because both pieces ask rhetorical questions to move the plot line. This happens several times in the movie where characters ask the location of others. For example, when Michael asks where Frado is and he knows what he has been up to.  

 

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